Major Glass Exhibitions
- 2001 : Perfum glass flasks, Combs la ville (Seine-et-Marne).
- 2000 : Fith triennal's of glass sculpture, Liège, Belgique Automn exhibition, Espace Eiffel Branly, Paris (Seine). General Bank's of Luxembourg, Luxembourg.
- 1999 : Contemporary glass, Hospice Saint Charles, Rosny sur Seine, (Yvelines) International glass, Château de la Roche Guyon (Val-d’Oise) Salon d’Automne, Espace Eiffel Branly, Paris (Seine).
- 1998 : Sculpture « Vers la Paix »
1/8, Alizay (Eure). - 1995 : Paintings in colored cast glass Conseil Général des Yvelines, Versailles (Yvelines). Salon d’Automne, Espace Eiffel-Branly, Paris (Seine).
- 1994 : Artistes glasses, drinking glasses, Suzel Berna Gallery, Paris (Seine).
- 1993 : The glass sculpture since 1985, Fondation Septentrion, Marcq en Bareuil (Nord).
- 1992 : Sculptors into Singer factories, Bonnières sur Seine (Yvelines).
- 1991 : The table in feast Hamelin Gallery, Honfleur (Calvados).
- 1990 : Glass paper, exhibition of Contemporary Arts, Rouen (Seine-Maritime).
- 1986 : Contemporary glass, Center Genevois of craft industry, Genève
Hundreds years of glass Art, Ho-Am Gallery Séoul, Corée du Sud, Hommes de verre, Forney library, Paris (Seine). - 1985 : Belles de verre, Quartz Gallery , Paris (Seine) French glass, Dusseldörf, Allemagne.
- 1980 : European Contemporary glass, Pasquine de Gignoux Gallery, Strasbourg (Bas-Rhin).
- 1979 : The Art of glass, Town Hall, Aulnay sous bois (Seine-Saint-Denis).
« Coupe à jupon » hand blow glass
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Olivier Juteau hand blown glass coupe
- “I have, for several years, produced art works of blown and coloured glass, while remaining aware of my evolution in the decorative field and exploiting my technical expertise to the best of my ability.
- Today, thanks to the maturity and the confidence which I have acquired through working with glass, I feel free to give shape to more intellectual inspirations.
- In my recent creative work, aesthetics, symbolism and fantasy can clearly be identified. My creations, in which the glass is now colourless and transparent, sometimes combined with other mediums, are in keeping with a neo-expressionist aesthetic.
- “Glass” is the ideal medium with which to present the path from reality to fantasy in a timeless manner. Thanks to its transparency which allows for several view frames, and the perspectives suggested by its thickness, glass provides the setting for the model’s imprint or the composition born of my inspiration.”
Public Museums
- Musée des Arts Décoratifs, Paris (Seine).
- Musée National de la Céramique, Sèvres (Hauts-de-Seine)
- Musée du Verre, Sars Poteries (Nord)
- Musée Stephens, Marinha Grande, Portugal.